In this post discussed about best google font for website. Having a world-beater of a website relies on very many aspects. It would be very ignorant of anyone to think that typography is not on the list of these aspects. In fact, it ranks very high in terms of importance. The font of a website has a significant impact on the conversion of a website.
Sure, you’ve visited a website and just thought about how terrible its font looks. It is, however, a rare occurrence to visit a website and just love its font. If a website has unattractive and hard to read font, visitors won’t hesitate to leave. The site even feels amateurish and presents your business badly. When your font is appealing to your visitors, they may not notice it much, but it will attract them to read your content. It is then up to you to further stimulate conversions with good content and a stellar website. Allow us to help you craft a website that fulfills all the goals you’ve set for it with a selection of the Best Google Fonts for Websites, 2022. Choose the best font for your site.
Best google font for listed bellow:
Roboto
Roboto by Christian Robertson is mechanical to the core and has mainly geometric forms. Nevertheless, this font boasts very friendly and open curves. Most grotesks are known for distorting their letterforms in a futile bid to force rhythm, Roboto elects to allow instead the letters to settle into their natural width. This is why this font makes for a natural reading rhythm – a quality that is more common among serif and humanist types.
Its regular family makes it possible for you to use Roboto alongside the Roboto Slab and Roboto Condensed families.
Font Style: Thin 100, Thin 100 Italic, Light 300, Light 300 Italic, Regular 400, Regular 400 Italic, Medium 500, Medium 500 Italic, Bold 700, Bold 700 Italic, Black 900, and Black 900 Italic.
Font Pairs: Open Sans, Noto Sans JP, and Lato.
Open Sans
Open Sans is a sublime font that will look its best when you use it in headers with the semi-bold variation option. With a crisp and noncryptic outline, it is very legible. You can mix things up by using it for your headers and then writing the descriptions or elaborations using another close font, such as Helvetica Now. You can also rearrange them and use Open Sans in the body, and an emboldened Open Sans for the headers.
Open Sans is a superb humanist sans serif typeface created by the Type Director of Ascender Corp, Steve Matteson. He has more than a quarter of a century in the business and has designed faces for Xbox, Android, Microsoft, Citrix, and Nextel. This version comes with the comprehensive 897 character set, including Latin CE, standard ISO Latin, Cyrillic, and Greek character sets. Open Sans has a basic design of open forms, upright stress, and a neutral, albeit welcoming ambiance. It boasts optimization for mobile, web, and print interfaces. It also boasts exceptional legibility within its letterforms.
Font Style: Light 300, Light 300 Italic, Regular 400, Regular 400 Italic, Semi-Bold 600, Semi-Bold 600 Italic, Bold 700, Bold 700 Italic, Extra-Bold 800, and Extra-Bold 800 Italic.
Font Pairs: Roboto, Poppins, Lato, and Montserrat.
Poppins
Poppins is one of the newest geometric sans serif typeface, created by the Indian Type Foundry and Jonny Pinhorn. It has an internationalist approach to the genre since it supports the Latin and Devanagari writing systems.
Most Latin glyphs like the ampersand are more rationalist and constructed than is usual. The Devanagari design is new, and this is the first Devanagari typeface ever to have a variety of weights in the genre. Both the Latin and Devanagari writing systems are based on pure geometry while focusing on circles.
Every letterform is almost monolinear, with its stroke joints displaying optical corrections, which are vital for maintaining a uniform typographic color. The Latin ascender height and the Devanagari base character height are equal; the Devanagari characters are higher than the Latin capital letters. The Latin x-height is set pretty high.
Font Style: Thin 100, Thin 100 Italic, Extra-Light 200, Extra-Light 200 Italic, Light 300, Light 300 Italic, Regular 400, Regular 400 Italic, Medium 500, Medium 500 Italic, Semi-Bold 600, Semi-Bold 600 Italic, Bold 700, Bold 700 Italic, Extra-Bold 800, Extra-Bold 800 Italic, Black 900, and Black 900 Italic.
Font Pairs: Open Sans, Roboto, Source Sans Pro, Roboto Slab, and Lato.
Noto Sans JP
Noto is the Sans Japanese family. It is one of the few font families that attempts to support all languages in the world. Noto boasts Light, Thin, Demi Light, Medium, Regular, Bold, and Black styles.
Noto Sans JP is created by the Google Principal Design. It is subsetted to all kanjis in JIS X 0213, JIS X 0212, and JIS X 0208, including all kanji within Adobe-Japan 1-6. Since browsers have handled non-X00 weights, the Demi Light weight of Noto Sans JP was removed.
Font Style: Thin 100, Light 300, Regular 400, Medium 500, Bold 700, and Black 900.
Font Pairs: Roboto, Noto Sans, and Open Sans.
Roboto Slab
Roboto is another font by Christian Robertson that is dual in nature. It bears a mechanical skeleton with largely geometric forms. What’s more, it has friendly and open curves. Roboto’s natural width in letters and natural reading rhythm is easily felt in the Roboto Slab family. The family’s 2019 update bore a variable font “Weight” axis.
Font Style: Thin 100, Extra-Light 200, Light 300, Regular 400, Medium 500, Semi-Bold 600, Bold 700, Extra-Bold 800, and Bold 900.
Font Pairs: Roboto, Open Sans, Montserrat, Lato, and Poppins.
Nunito
Nunito by Vernon Adams is more of a superfamily with its excellent designs. This sans serif typeface family is a project that started with Nunito as a rounded terminal sans serif for showcase typography. Later, Jacques Le Bailly extended Nunito to a full set of weights along with an accompanying, Nunito Sans, which is a regular non-rounded terminal version.
Font Style: Extra-Light 200, Extra-Light 200 Italic, Light 300, Light 300 Italic, Regular 400, Regular 400 Italic, Semi-Bold 600, Semi-Bold 600 Italic, Bold 700, Bold 700 Italic, Extra-Bold 800, Extra-Bold 800 Italic, Black 900, and Black 900 Italic.
Font Pairs: Roboto, Open Sans, Montserrat, Lato, and Raleway.
Raleway
Raleway is a sans serif typeface family that boasts incredible elegance. It was initially created by Matt McInerney to be single thin weight before being expanded into a 9 weight family by Rodrigo Fuenzalida in collaboration with Pablo Impallari in 2012 before being iKerned by Igino Marini. After a thorough review, italic was added in 2016.
The download of this display face features lining and old-style numerals, discretionary and standard ligatures, a pretty comprehensive set of diacritics, and a stylistic alternate born of more geometric sans serif typefaces than its character set, which is inspired by neo-grotesque.
Font Style: Thin 100, Thin 100 Italic, Extra-Light 200, Extra-Light 200 Italic, Light 300, Light 300 Italic, Regular 400, Regular 400 Italic, Medium 500, Medium 500 Italic, Semi-Bold 600, Semi-Bold 600 Italic, Bold 700, Bold 700 Italic, Extra-Bold 800, Extra-Bold 800 Italic, Black 900, and Black 900 Italic.
Font Pairs: Roboto, Open Sans, Lato, Montserrat, and Oswald
PT Serif
PT Serif is pan-Cyrillic font (the second of the kind) designed by Alexandra Korolkova, Vladimir Yefimov, and Olga Umpeleva before being released by ParaType in 2010. It is a transitional serif typeface that bears humanistic terminals. It is created alongside PT Sans and is harmonized across proportions, weights, metrics, and design.
The family has six styles: bold and regular weights with corresponding italics create a font family for regular text setting; two caption styles in italic are for use in small point sizes.
Font Style: Regular 400, Regular 400 Italic, Bold 700, and Bold 700 Italic.
Font Pairs: Open Sans, Oswald, Roboto, PT Sans, and Raleway.
Oxygen
Oxygen by Vernon Adams is a typeface family that was crafted as part of the KDE Project, a free desktop font for the GNU+Linux OS. It is optimized for use with the FreeType font version system and works seamlessly in all graphical interfaces, devices, and desktops. The font is available for use freely by web browsers across the internet on desktops, mobile devices, and laptops.
Font Style: Light 300, Regul
ar 400, and Bold 700.
PT Serif: Ubuntu, Fira Sans, Roboto, and Cantarell.
Lato
Lato – a name that means ‘summer’ in Polish – is the creation of Lukasz Dziedzic, a Warsaw-based designer. It is a sans serif typeface family, which was published in December 2010 under the Open Font License. Lato has the sleek sans serif atmosphere, which speaks to its being designed in 2010, albeit without following any current trend.
Lato has a warm feeling, courtesy of its letters’ semi-rounded details, while its strong structure offers formality and stability. Lukasz Dziedzic summarized the font as male and female, serious but welcoming, and the feeling of summer.
Font Style: Thin 100, Thin 100 Italic, Light 300, Light 300 Italic, Regular 400, Regular 400 Italic, Bold 700, Bold 700 Italic, Black 900, and Black 900 Italic.
Font Pairs: Roboto, Open Sans, Oswald, Raleway, and Source Sans Pro.
Helvetica
Launched in 1983, Neue Helvetica quickly rose to beat other fonts from then and is still a force to reckon with, years later. It’s very different from the traditional Helvetica with a smoother appearance that blends into any background. It is perfect for bold, uppercase, and regular, therefore, making it an ideal choice for headers and descriptions.
Untitled Sans
Brought to life by Jasper Morison and Naoto Fukasawa, Untitled Sans is a plain Neo Grotesk Sans. Its complementary typeface draws its inspiration from the old-style genre embodied in close to all metal type foundry of that age. It has a timeless look that is quickly becoming a favorite for many top-tier websites.
PT Sans
PT Sans is a 2009 font based on sans serif types from the second half of the 20th century but with a modern feel that makes it one of the best ways to display your content. With this font, you can go from an intense and expressive feeling to a sophisticated and reserved one seamlessly. The family boasts 4 basic styles, 8 styles, 2 narrow styles for economic type, and 2 caption styles for smalls sizes. PT Sans incorporates standard Western and Central European, as well as Cyrillic code pages. Furthermore, it has the characters of all title languages in the Russian federation. Its styling is a blend of a subtle ambiance and a shade of extra space.
DIN Next
Despite the DIN typeface always being tempting, it has been challenging to choose with its limited range of widths and weights. However, DIN Next has come to the rescue in the timeless and flexible Sans Serif. With its previous classic fee, DIN Next has seven weights ranging from black to light. Each of these weights has a matching italic and condensed counterpart. DIN Next has old-style figures, small capitals, superscript, subscript, and a few other alternate characters.
Playfair Display
Playfair is a font design that has a transitional design after evolving from broad nib quill of the 18th century, through print letterforms to morphing into a variable font in 2019. Since it is a large display design, it is best for headers and goes well with the body texts of Georgia. If you have a WooCommerce shop, you can utilize this pairing or opt for an even more sophisticated Playfair – Montserrat pairing.
Montserrat
Montserrat was inspired by the old signs and posters of Montserrat, Buenos Aires. Julieta Ulanovsky designed this typeface to rescue the beautiful sanctity of urban typography of the initial part of the 20th century. The letters show work, care, dedication, light, color, contrast, life, night, and day. They are a reflection of the beautiful city.
Lora
Lora is a striking modern serif with a history in calligraphy. Its typeface has a distinct moderate contrast, that is perfect for body text. Write a paragraph in this font if you’re looking to imprint it in the minds of your readers. Lora is the ultimate vessel for an artistic and contemporary story. Its make is born for screen appearance and does just as well in print.
Source Sans Pro
Source Sans Pro is a more corporate-style sans serif Google font. This font created by Paul D. Hunt has an incredible 12 styles and weights ranging from heavy to extra-light. The font is very professional but not as exciting as others. If you want a typeface for an education website or something very formal, Source Sans Pro should be a font in your consideration.
Exo
Natanael Gama created Exo as a Kickstarter project, but the font was later released for public use. Exo is a modern geometric font that has 18 styles. This much variety ensures that you find the perfect weight for your needs. However, if you want to use it for minimalist text, it becomes a little hard to read. We can attribute this to its many curves and shapes in its letterforms.
Exo 2
Exo 2 is another Great google font for website based on Exo 2, with a few distinctions. Despite being very similar to Exo, it is much more legible in smaller sizes. If you want to use your font in body text, this font is a much better option than the original Exo. This version has improved legibility while maintaining the attractive particulars of Exo.
Ubuntu
Dalton Maag created Ubuntu for the Ubuntu operating system. This font is a popular humanist font known for being very rounded and original. By the distinction that most curves meet at the stem directly at the end clearly shows that there is no sign of any ear or serif. Ubuntu has various weights ranging from light to bold and has eight styles. If you want a monospaced or condensed font, Ubuntu has these variations with Ubuntu Mono and Ubuntu Condensed.
Minion
In 1990, Adobe released Minion, which is a piece of gorgeous work by Robert Slimbach’s. It drew its inspiration from the renaissance-era type and was meant for body texts rather than headers. The serif typeface has been becoming a regular in countless editorials everywhere. It looks set to claim the loyalty of magazines and blogs.
Istok Web
Istok Web was created by Andrey V. Panov and only has italic, bold, and regular versions for its weights. If you want a font that spoils you for choice in the way of weights, you might want to make another choice. However, Istok Web makes up for a lack of weights with a relaxed yet professional typeface. It has excellent legibility when used in large and small texts.
Avenir Next
Avenir Next Pro was born of the collaboration of Adrian Frutiger, Avenir’s creator, and Akira Kobayashi. With a new perspective on the classic, this font takes the original concept and revolutionizes with unbelievable results. This 32-font collection offers variety with standard styles ranging from heavy to ultra-light. The fonts have the unique ability to work harmoniously with countless modern serif bold types. The family has a clean, simple, and does wonders in headlines and copy blocks alike.
Nobile
Nobile is another google font for website that is light in weights but is otherwise spectacular. It has 2 weights and 4 styles only. However, Nobile’s design is perfect for all digital screens. Even when the text scales down with handheld devices, this font doesn’t lose its distinctive look or its legibility. The font functions well in body texts and headers alike. On larger displays, it is exquisite too.
Cinzel
Another one by Natanael Gama, Cinzel is a beauty to behold. Like the rest of his fonts, this one is inspired by early typography and Natanael’s bold experiments. It is inspired by the 1st century roman inscriptions and is based on classical proportions. Even though it brings with it the ancient history of the Latin alphabet, it was built for modern needs with a contemporary feel too. Cinzel has only grown in popularity each year, and 2020 should be no different.
Amatic SC
Initially created by Vernon Adams, Amatic SC featured both Latina and Hebrew alphabet. It is simple but effective and is excellent for titling and small runs of text. Like Cinzel, it looks gorgeous on all browsers of all device sizes. After Vernon Adams and Ben Nathan created the Latin and Hebrew design, the latter revised the Latin design. Afterward, Thomas Jockin respaced and adjusted the character spaces of the entire font.
Bottom Line
If you need the best google font for website, any of the fonts in this list will do a fantastic job. On the other hand, if you want to refurbish your older site, you can select the best font for your website. Make your choice and break a leg!
